Hey, did I mention that this show is gloomy as all hell? It is, even with a few Lindelofian touches like his taste for ironically jaunty music cues. Even the best version of The Leftovers, if it proves a complete creative success, will not be a show for everyone. Yet it believes fervently, messily, heartbreakingly, that even two percent of everyone means more than you can imagine.
This excellent drama will do best if people just stop worrying about the ending of "Lost" and concentrate on the here and now.
That Sepinwall review is hilariously over the top. I was rolling my eyes all the way through reading it.
The Leftovers is still young enough to have some growing pains. Theres material centered on yet another cult that feels too loosely connected to everything else, and the show can occasionally seem too in love with being grim just for being grim. But on the whole, its elegiac, ingenious television, unlike anything else on the air.
- Onion A|V Club review: The Leftovers is bleak, brutal, brilliant television
They haven't been universally positive (see the metacritic list for a little more breadth), but my curiosity is certainly piqued. Sounds like it's not for everyone, but the fact that people are reacting strongly to it (either positively or negatively) is usually an indicator that it's worth seeing what the fuss is all about.The reviews are just so overwhelmingly great. I've gone from thinking this is an interesting premise that has potential to be a good show to just flat out hyped to see this thing.
"At the end of the finale, Adam literally kicks her apartment door down when she won't let him in, and it's the most heroic damn thing I've seen on television in forever"Embarrassingly hyperbolic Sepinwall is best Sepinwall. I never tire of reading his review of the Girls season 2 finale.
They haven't been universally positive (see the metacritic list for a little more breadth), but my curiosity is certainly piqued. Sounds like it's not for everyone, but the fact that people are reacting strongly to it (either positively or negatively) is usually an indicator that it's worth seeing what the fuss is all about.
Yeah it seems the mystery is clearly not a part of the show.So we are in for the usual initial intrigue that never ever pays off right?
Cool,just so long as we all know what this is.
"At the end of the finale, Adam literally kicks her apartment door down when she won't let him in, and it's the most heroic damn thing I've seen on television in forever"
So we are in for the usual initial intrigue that never ever pays off right?
Ultimately, "The Leftovers" depicts a series of personal apocalypses, and it's an open question as to whether it will be able to spin these individual and community crises into a viable ongoing TV series. So far, it's not quite more than the sum of its mournful parts, but it's making a big effort, and it may get there eventually.
"At the end of the finale, Adam literally kicks her apartment door down when she won't let him in, and it's the most heroic damn thing I've seen on television in forever"
😐
Gee, Lindelloff writing about a religious thing, but pretending its not.
Well, the show is based on a book, and in the book, it's not clear whether it's a religious thing or a paranormal thing or an extraterrestrial thing. It's ambiguous.
All we know is that 2% of the world's population vanished and the point of the book/tv show is to show how the people left behind are coping with that - not to discover the mysteries of the "event".
Oh boy, I think read that article again today, good stuff.Lol
VDW's classic For Our Consideration: How Girls challenges the masculine expectations of "good TV" remains one of the most unintentionally hilarious headlines I've ever seen on the internet.
Rename the show "The Event", put it on NBC three years ago imoWell, the show is based on a book, and in the book, it's not clear whether it's a religious thing or a paranormal thing or an extraterrestrial thing. It's ambiguous.
All we know is that 2% of the world's population vanished and the point of the book/tv show is to show how the people left behind are coping with that - not to discover the mysteries of the "event".
From what I've read, most critics agree that the promo material so far hasn't done a good job showing what the show is about and what it's like (other than the bleakness).The trailer sure doesn't show that.
Rename the show "The Event", put it on NBC three years ago imo
From what I've read, most critics agree that the promo material so far hasn't done a good job showing what the show is about
Based on its first few episodes, The Leftovers is bleak and depressing. Its a haunting and heartsick show, and one thats full of frustration and longing. Its debut episodes are also the most promising Ive seen this year, and I wont be surprised if it becomes one of the best series of 2014.
Its a bit reminiscent of the earlier Lost seasons, the ones that we all watched in awe, though this forgoes the lighter moments for nonstop despair.
This is an odd thing to say, but the bleakness is what I like most about The Leftovers. It is unrelenting but necessary. Its the only way to tell this story.
Nope, that's pretty much it.Sounds good, but has there been any info on whether the A.C makes an appearance or demons, etc?
Or is it just going to be about the human element? I'm not opposed to it being solely about humans living in a post rapture world, but it'd be disappointing if that's all there was to the show.
Nope, that's pretty much it.
I would be very shocked if there weren't 'twists' dotted throughout the show. I imagine we'll never find out what happened, but I also can't imagine it'll be a straight drama throughout.
But we don't know it was the rapture? The ambiguity is the whole point.Sigh. Well that's really disappointing. I guess I'll adjust my expectations accordingly then.
I have to wonder why they would decide not to introduce the wider elements of the rapture. I get that focusing on the despair of people left behind would make for a good show, but that doesn't mean they can't drop some other elements of rapture mythos into the mix as well.
But we don't know it was the rapture? The ambiguity is the whole point.
It doesn't, and nor will the show, at least initially.Huh. I thought the book it's based on was clear about it being a rapture event?
It doesn't, and nor will the show, at least initially.
The half hour making of feature HBO put out seemed to indicate there will be lots of debate within the show as to the nature of the event, and some do indeed believe it was the rapture, but other theories and beliefs exist.
The people who disappeared were not uniformly religious or pious.
It's not like he's better with drama...Lindelof and twists don't mix well
The first few episodes dont showcase enough artistry to justify all the slogging and weeping, the bloodied faces and broken hearts. But Id be lying if I said The Leftovers didnt fascinate me. The totality of the suffering feels new. The scale of it overwhelms, so much so that nitpicking the dialogue, the performances, or the filmmaking seems petty. This is what I meant by emotional blackmail, a certain amount of which is baked right into the shows premise. The Leftovers practically dares you to keep watching, and feeling. At the bottom of the first page of my notes, sloppy handheld camerawork is crossed out. Beneath it is overwhelming pain.
Whoopsie. I searched for MZS and NY Mag. :/
In a way, it's my fault.Whoopsie. I searched for MZS and NY Mag. :/