It's not Netflix's fault. It's absolutely on the creators themselves for not creating a compelling narrative without dangling a carrot at the end of the season. All showrunners should go into the season fully expecting that their vision may or may not get cancelled because of lack of viewership.o thanks for explaining that to me
ill remember to take my share of blame
Is this series worth it?
That's actually pretty classy of them. I mean if the rumors about the budget per episode of this series are true, and that's combined with lower viewership, I completely understand why they made the decision they did. But making one last effort to let the story resolve in some fashion is very generous of them.
On the other hand, I'm really emotionally invested in these characters, and it seems like every episode, at least one thing happens that gets me all teary-eyed and wish to God that these people come out of it okay. When I heard about the cancellation I raged over not getting the closure I needed for Sun's epic Korean soap operatics against her brother. I don't know, but for some reason I resonated most strongly with her struggle.
Now I just might get that closure after all.
I'm pretty sure that's not going to get concluded. It's going to take an hour at least to dispense with that cliffhanger. But anything is better than the infinite cliff the series ended at.
2 hour Wolfgang-Kala sex scene
It's not Netflix's fault. It's absolutely on the creators themselves for not creating a compelling narrative without dangling a carrot at the end of the season. All showrunners should go into the season fully expecting that their vision may or may not get cancelled because of lack of viewership.
It's not Netflix's fault. It's absolutely on the creators themselves for not creating a compelling narrative without dangling a carrot at the end of the season. All showrunners should go into the season fully expecting that their vision may or may not get cancelled because of lack of viewership.
Some people are so fucking entitled it blows my mind. With regards to some of the comments on here: They don't owe you shit. This is a business. If it isn't economically feasible for them to produce an ongoing series then they'll cancel it.
I feel like there needs to be something in the middle. Writers shouldn't be careless about their plot threads but studios should also take into account that even with low numbers there are fans following a story, and give some kind of closure clause. Like when LOST was getting totally fucked by the writer's strike and ABC wanting it to go on indefinitely and the writers being like "Look that's great but we need to be able to know how to pace our show with all these plots and mysteries before it just gets cancelled and fucked so can we please make some kind of deal".
Like maybe some day there will be a general shift (like how cartoons went from multi-season 22-minute episode orders down to half season 11-minute orders) where shows will be picked up with some kind of "resolution clause" where if it gets cancelled before the show runners make their own ending, they're granted like a 1-2 hour finale to at least cap the show.
Parks & Rec did it best, though. I feel bad for them, since they only got half-season orders and never knew if they'd get more episodes until like THE last minute, so they wrote every half-season finale and season finale as if it was the series finale (which must have been stressful as fuck not just on their jobs but also having to constantly top themselves), but still leaving it open for future storylines. I love suspense and cliffhangers but they should only be done if the crew knows they'll get a follow-up season so that they and their fans don't get fucked if their show gets cancelled.
I personally thought it was terrible, but if only for the LGBTQ+ diversity I got why a few of my friends supported itIs this series worth it?