does someone have a tldr
Yeah do I really want to read something purportedly found out or just some insane ramblings. A TLDR would do!
does someone have a tldr
https://www.google.com/amp/jezebel....ght-be-hollywoods-biggest-fuck-1440597536/amp
Again, I think these are the sexist comments people are referencing.
i mean you cant really give someone any of these things, but the seeds of these things were there inside of her. we were in such a sort of unfair, fucked up relationship not the kind where theres a lot of yelling and screaming the actual relationship was very nice and loving, but i was so fickle about her body. im not shy, i would just blurt out shit all the time. she ended up completely changing how she dressed and how she looked for me. that chick will never talk to me again.
https://www.google.com/amp/jezebel....ght-be-hollywoods-biggest-fuck-1440597536/amp
Again, I think these are the sexist comments people are referencing.
Landis casually mentions that he cheated on a girl who he "also gave a crippling social anxiety, self-loathing, body dismorphia, eating disorder to." Oops!
.i mean you cant really give someone any of these things, but the seeds of these things were there inside of her. we were in such a sort of unfair, fucked up relationship not the kind where theres a lot of yelling and screaming the actual relationship was very nice and loving, but i was so fickle about her body. im not shy, i would just blurt out shit all the time. she ended up completely changing how she dressed and how she looked for me. that chick will never talk to me again
Luke makes one lucky shot at the end of the movie that was established earlier with the line about how he's good at aiming at small womp-rats, and the only reason he's able to freely make it is because Han saves his ass at the last moment from Vader.
Max's Mary Sue stuff is bullcrap but people shouldn't exaggerate stuff from ANH to knock it down.
Why is it condescending? Who would he be speaking down to?
Why is it self centered? Isn't it wholly about the author's work? (Especially when the analysis is done by someone who's a fan of said work?)
Why is it necessarily egotistical? It could be an ego trip to indulge this way, but it could also be an enjoyable mental exercise.
Why is it about intelligence at the expense of empathy? Where does the lack of empathy part come into play?
I have a like / dislike relationship with max landis but I don't understand your criticism of attempts to analyze art in general.
She is not! Where are the receipts to back this up? The internet has seemingly latched on to her, yet it hasn't translated into sales at all! Worse is that this narrative is pushed by people who don't even listen to pop music. Her music does nothing new, it is the same stuff we have been listening to for years and to act likes it's some revolutionary concept is absurd at best and insulting at worst.
It's the force + luke's skills. Plus literally half of ESB is all about Luke training to be better at using the force rather than just already being an expert at itIt's pretty evident in the film that he makes the shot because of the force, not because he can transfer his rodent shooting skills from a backwater town into an active warzone while his ghost uncle natters on in Luke's ear.
There's no exaggeration because it's a flimsy ass justification that even the conceit of the scene relies on to show that it's really the space magic that made it work.
And before that, he instantly mastered sensing lasers from a robot drone with minimal instructions.
Luke's relationship with the force is largely "Shit, this is impossible." and then the mentor figure goes "Nah, it's fine" and then he does it and goes "oh shit, it's working"
C-c-c-c-c-cocaine
It's the force + luke's skills. Plus literally half of ESB is all about Luke training to be better at using the force rather than just already being an expert at it
Comparing Luke to Rey seems so disingenuous when you compare their feats.
Rey humiliated Kylo, a life long Force adept that studied under Luke Skywalker, literally on her first try.
Max Landis struggles with bipolar disorder (specifically cyclothymia). I don't know why everyone chalks his behavior up to cocaine.
Y'all literally cannot help yourselves can ya.
Look in the mirror, Bobby.
Yeah, and The Last Jedi is set to be about Rey training to become an expert at the force herself.
My point isn't that Luke is shit and his force abilities are 100% unearned. But he does gain proficiency rather easily, with minimal instructions and minimal training time, even as an absolute noob who hasn't learned which end of the lightsaber to hold.
The problem is that when Luke does it, he's just being the protagonist and no one minds it, but when Rey does it, she's being a Sue, which is what makes it a sexist trope, which is the original point being made. It applies a double standard between genders.
I won't read it, but I'm sure it says much more about the writer than the subject based on that page count.It's almost 150 pages
Why do you do that "um" thing before you get to your point?
UMMM yes it is. How much do you know about the term and how it's been introduced to the pop-culture lexicon and the overwhelming use of it since that introduction?
Did you not really know what it was until Landis refreshed everyone's as to its existence and then, based on whether or not you already liked Landis, you decided to seek out proof that it wasn't as bad as everyone said and upon finding it arguments to that end, considered yourself satisfied?
A lot of people have taken that route when it comes to that term, so I'm not sure if that's what I'm arguing against here UMMMMM but maybe it's in good faith who knows we'll see I guess lol
But yes, it's basically sexist as fuck and almost always has been, down to the part where it was built out of mocking a woman for her bad fan-fiction that did what almost all published male fiction has done since it started hitting shelves: Presenting idealized versions of the author in their own fictional constructions.
That the term "Gary Stu" showed up to describe that predilection towards self-insertion afterwards isn't a sign of gender equality. It's more a reflection of people's need to name things that already have names for the purposes of easier branding and disingenuous arguing (It's like suggesting the existence of the word "dickhead" minimizes and/or erases the sexism behind calling a woman a "bitch") . It's still built on the basic sexism at the root of "Mary Sue," UMMMMM which fundamentally suggests a woman hero needs to go above and beyond to justify her heroism in genre fiction otherwise it will be written off as "unrealistic" or "unfair"
I've been familiar with the phrase since my days of writing shitty fanfiction and forum RPs as a teenager - and while it may indeed be used to belittle the characterisation of a female protagonist, you're almost entirely wrong on its origins. The original Mary Sue was, yes, the protagonist of a fanfiction written by a woman (fanfiction being, then and now, a majority female endeavour) - but written as a parody of what she saw as a trend of poor characterisation. If it's mainly applied to female characters, that'll be because that's what you get for self-inserts from (shitty) women writers.
It's condescending because he's talking down to the author, he's telling her what her words mean, because obviously he can see what she can't, because he's MAX LANDIS, underrated genius observer of people and discoverer of emotions.
It's self-centered because it's entirely about his interpretation of her work, and how special it is, and how special he is for having seen it when nobody else could. Look at the way the work is presented.
It's egotistical because he thinks his flawed, obsessive, paranoid theory is the one true way to see her body of work.
It's about intelligence over empathy because he's obviously put a lot of time and energy into the development of his theory and the collection of purported evidence, but he doesn't care about the only thing that is relevant: her actual feelings. Which he knows nothing about, and doesn't care about, because if he did, he would understand that she's not hiding some cryptic story about the sadness of her love life in her lyrics. Because only egotistical assholes claim to know other people's feelings better than they do.
I'm not saying that all art criticism is bad, and I believe that interpretation of art is dependent on the reader, but there's a limit to what you can say while still being in the realm of reality, and this goes way beyond that. It's the difference between having an interpretation of what a work means, and telling people what they are feeling. One is great, and interesting, and can be educational and elucidating about the creator's intent, and the other is being an egotistical asshole.
So how is what I wrote "almost entirely wrong" when you're basically further explaining how it has almost always been unfairly applied to women, and used as such in the time since it was created?
The fact another woman was judging women doesn't somehow erase its usage/intent from that point forward. The presence of a woman either next to or behind sexism doesn't negate/erase that sexism. That's essentially the same argument that suggests a misogynist can't really be misogynist because he has a wife and daughters.
Her parodical criticisms, however well-intentioned they might have been initially, were essentially picked up and run with by people as a means to specifically shit on women and their forays into genre by holding their attempts to a much higher standard than most genre readers would ever think to apply to their favorite male authors, and the term was used as such for almost its entire existence, and still is, hence the conversation we're having right now.
(thank you for dropping the "ummm" bullshit, it's appreciated)
You're wrong in that she wasn't being mocked *for*, she was mocking *with* - and if you think it's almost always unfairly applied, you clearly haven't read nearly enough shit.
Also, I started my first post with "Um.." as a reflection of speaking patterns, haven't done so before on this site, and don't really know where the fuck you get off ranting on it like a douchebag? Maybe show us on the doll where the bad interjection touched you and chill the fuck out?
https://www.ascarnooneelsecansee.com/
Max Landis has seemingly discovered something...well, not sinister, but somewhat dark and mysterious about the music of the much loved CRJ.
Basically, Max Landis thinks Carly Rae Jepsen sings about the same seven overarching themes: not all seven in every song, but the same seven over and over. In every, and I mean EVERY, song she has sung. Not just her two albums, but her EPs and even back before she went on Canadian Idol. Not just her original songs, but also her covers.
It's almost 150 pages long in PDF form. It is crazy, and puzzling, and engrossing. It's going down a huge rabbit hole, but it's pretty fascinating to read. I made it through all of it, having to eventually start skimming because of other things going on, but holy cow it is interesting.
I was most interested in the section from the "Part 2" intro about the things that CRJ doesn't sing about in her songs on EMOTION.
So read it, maybe?
You're wrong in that she wasn't being mocked *for*, she was mocking *with* -
and don't really know where the fuck you get off ranting on it like a douchebag? Maybe show us on the doll where the bad interjection touched you and chill the fuck out?
No, it's not. You can quantify aspects of music; in fact you have to be able to because that is what sheet music is. You literally cannot read or write music without quantifying it. Musicians have to understand things like dynamics, pitch, tempo, time signature, instrumentation, etc. Music includes a method to break these down into explicit instructions so composers can clearly communicate to performers how a piece should be played. If you can read music, you can assess how rich or bland it is, even if there's no sheet to read, because the concepts still apply. And pop music -- including CRJ's, but to be fair it's almost all of it -- is all extremely limited in its use of musical concepts.Your usage of the word "objectively" is objectively poor.
Does he include the Fuller House theme in his thesis. I'm not reading 150 pages.
If you can read music, you can assess how rich or bland it is, even if there's no sheet to read, because the concepts still apply. And pop music -- including CRJ's, but to be fair it's almost all of it -- is all extremely limited in its use of musical concepts.
Does he include the Fuller House theme in his thesis. I'm not reading 150 pages.
What are the themes, for those of us who don't want to read the entirety of the paper?
Luke makes one lucky shot at the end of the movie that was established earlier with the line about how he's good at aiming at small womp-rats, and the only reason he's able to freely make it is because Han saves his ass at the last moment from Vader.
Max's Mary Sue stuff is bullcrap but people shouldn't exaggerate stuff from ANH to knock it down.
Tell us what creativity is, then. All you have here is condescending arrogance, backed by nothing.lmao this is the silliest thing I've ever read. You have an extremely poor grasp of creativity
No, it's not. You can quantify aspects of music; in fact you have to be able to because that is what sheet music is. You literally cannot read or write music without quantifying it. Musicians have to understand things like dynamics, pitch, tempo, time signature, instrumentation, etc. Music includes a method to break these down into explicit instructions so composers can clearly communicate to performers how a piece should be played. If you can read music, you can assess how rich or bland it is, even if there's no sheet to read, because the concepts still apply. And pop music -- including CRJ's, but to be fair it's almost all of it -- is all extremely limited in its use of musical concepts.
No, it's not. You can quantify aspects of music; in fact you have to be able to because that is what sheet music is. You literally cannot read or write music without quantifying it. Musicians have to understand things like dynamics, pitch, tempo, time signature, instrumentation, etc. Music includes a method to break these down into explicit instructions so composers can clearly communicate to performers how a piece should be played. If you can read music, you can assess how rich or bland it is, even if there's no sheet to read, because the concepts still apply. And pop music -- including CRJ's, but to be fair it's almost all of it -- is all extremely limited in its use of musical concepts.
Bipolar disorder generally doesn't give one the energy or motivation to write 150 pages about Rae Jepsen. Where as cocaine or a gaf account can get someone to write so much nonsense effortlessly.
Bipolar disorder generally doesn't give one the energy or motivation to write 150 pages about Rae Jepsen. Where as cocaine or a gaf account can get someone to write so much nonsense effortlessly.
Being somewhat familiar with Max Landis and his personality, I wouldn't be even vaguely surprised if this is part of Max's romantic comedy scheme to try to hook up with Carly Rae Jepsen.
Tell us what creativity is, then. All you have here is condescending arrogance, backed by nothing.
You can't win with these people. They actually think Luke blowing up a military base the size of a moon with a single missile(this was his first time in a fighter jet, just to add to the ridiculousness of it all) is more "realistic" than Rey beating Kylo Ren in a fight. People fall back on the film just telling us Luke is a good shot because he is able to shoot small critters back home but then completely disregard that TFA shows that Rey has grown up in a hostile environment and has learned how to handle herself.Nah, removing the Force from the equation, Luke's miracle shot on the Death Star is thousands of times less plausible than someone trained in staff combat being able to hold off a badly wounded opponent who doesn't even want to seriously injure her. Adding the Force in, it's fucking magic and there are no rules so who gives a shit? If Rey was a male character nobody would ever have batted an eye at that scene.
The covers Jepsen released even fit the bill; ”Part Of Your World," from Little Mermaid, a song about being geographically separate from someone you love who doesn't know you exist, and ”Last Christmas," a song about being rejected on Christmas.
A Warning From The Future
Welcome to the lost, alone and searching.
Welcome to climbers of trees, the stealers of bikes, the girl in the corner, the forgotten friends, the little black holes.
Welcome to the rejected, the unwanted, the despairing. The smell you smell is a blossom tree. The chill you feel is a cold breeze as you walk the streets alone at night. The emotion you feel is longing.
The voice you hear is Carly Rae Jepsen.
You might be reading this as a joke. Out of vague curiosity. You mightve thought the person who claimed to have discovered a massive secret pattern in a popstars music was doing it ironically, or maybe just lost on a long hike up their own ass.
Welcome to you, too, the cynics and the disinvested. Come in, and find out, but first, a warning:
​
Lasciate ogne speranza, voi chintrate.
This Latin phrase from Dantes Inferno translates to:
Abandon All Hope, Ye Who Enter Here.