Regulus Tera
Romanes Eunt Domus
Kagari said:Seriously considering cancelling my preorder now and waiting on a different release.
Why haven't you done this already when you've been posting in disgust to the changes throughout the thread?
Kagari said:Seriously considering cancelling my preorder now and waiting on a different release.
CaptYamato said:What has been changed in ESB?
kinoki said:Can't someone just re-cut the entire original triology mixing out every single line spoken by Vader with "NOOoooOOOoo1!"?
Deputy Moonman said:I just want the original 3 movies (episodes 4,5,6) on something other than VHS... and without any changes.
richiek said:The carbonate scene in action.
http://www.youtube.com/watch?v=lEqPJNVIgcg&feature=related
The blooming is not as blatant when it's in motion.
Deputy Moonman said:I just want the original 3 movies (episodes 4,5,6) on something other than VHS... and without any changes.
GrotesqueBeauty said:George Lucas is a sad little man with an embarrassing hard on for CGI. Either all his early successes were flukes (or more likely the result of surrounding himself with more talented people), or middle age has been infinitely cruel, changing him from a young visionary into the biggest sellout whore in the history of cinema.
As George Lucas watched the demonstration alongside of them, his eyes began to tear up. "It was like one of those moments in history, like the invention of the light bulb or the first telephone call," he said. "A major gap had been crossed, and things were never going to be the same.
Erigu said:Anakin never looked like that old man in robes. Sooo... is that how he envisioned himself? Somehow, I find it easier to imagine him remembering how he looked like before he turned into Vader than him going "hey, that probably is what I'd look like at the age of my death had I not been burnt to a crisp!"
[Note for the idiots out there: I'm merely defending the idea for that one scene. That doesn't make me a "change apologist" or whatever.]
Glass Joe said:I might not have been the brightest kid on the block, but I remember seeing that part back in the day and wondering to myself "Who the heck is that guy?"I just wrote about how movies should NOT be changed, but here I can kind of understand what George was going for.
Big One said:What the fuck? No it wouldn't. Hayden wasn't even born when the original Star Wars was made.
Also watching them in order ruins the tension for the most part, especially the discovering of Darth Vader and Princess Leia which is meant to be a major shock. Of course both are pop culture iconic spoilers that everyone knows about...but when you show these movies to kids, they're just gonna be underwhelmed when it's first revealed.
Lucas made the "middle" of Star Wars because he wanted viewers to see that first, initially. Now with the prequel trilogy he's changed his mind.
tuffy said:The way that it's shot, the acting and even the hairstyles all date the film. So all these additions are invariably distracting because the audience intuitively knows they don't belong.
http://www.ugo.com/movies/ew-celebrates-empire-strikes-backTron 2.0 said:Nothing, as far as I've read.
Sadly that means the color is still all wrong, but we're lucky that Lucas respected Kershner so much. Who knows what he might have added otherwise.
when presenting PR maven Sid Ganis with an award back in 2007, Lucas publicly stated, "Sid is the reason why The Empire Strikes Back is always written about as the best of the films, when it actually was the worst one."
DiipuSurotu said:
DiipuSurotu said:George Lucas said:"Sid is the reason why The Empire Strikes Back is always written about as the best of the films, when it actually was the worst one."
That was my point, pretty much. Some people go on about that new scene making no sense, but I'd say that's an exaggeration, and the original scene wasn't necessarily much better in that area.mrklaw said:logic is one thing - you can just about manage to technically explain either solution.
There certainly are valid arguments for both sides, yes. Not arguing otherwise.But doesn't it work better as Luke's Father if he's older than Luke?
Well, when they're titled "episodes 1/2/3", it kinda suggests that...Prequels aren't meant to literally be viewed before the original movies.
Er... Right. Let's say you were joking, Georgie boy.DiipuSurotu said:
Isn't he literally destroying the original ?Dan said:As much as I adore the original trilogy, I can't in good conscience buy these movies with even more edits. Everyone needs to skip this shit until he at least provides a good quality version of the original cuts as an alternative.
That's been a persistent rumour but the original must have been cleaned up in order to give them a quality print to use when making the SEs. And we know that there are collectors out there with original prints, like that gorgeous Technicolor one of ANH that was posted earlier in the thread.JB1981 said:Isn't he literally destroying the original ?
jaxword said:It still looks like crap, though?
I don't get why Lucas wants to update the WRONG effects. He ADDS things but doesn't UPDATE things that were done with 1970 tech that could look better now. Updating EFFECTS doesn't change the storyline.
Marty Chinn said:Be on the lookout for this then:
https://picasaweb.google.com/109609428403596349302/HarmySStarWarsDespecializedEditionComparisons
It's not as off as you think. Guinness would've been about 62 when A New Hope filmed. Ewan McGregor about 32 for Revenge of the Sith.ryutaro's mama said:It's Lucas' fault that he cast a 70 year old Alec Guinness and then realized there was only a 20 year gap between the prequels.
"My name is George Lucas. I am a writer, director, and producer of motion pictures and Chairman of the Board of Lucasfilm Ltd., a multi-faceted entertainment corporation.
I am not here today as a writer-director, or as a producer, or as the chairman of a corporation. I've come as a citizen of what I believe to be a great society that is in need of a moral anchor to help define and protect its intellectual and cultural heritage. It is not being protected.
The destruction of our film heritage, which is the focus of concern today, is only the tip of the iceberg. American law does not protect our painters, sculptors, recording artists, authors, or filmmakers from having their lifework distorted, and their reputation ruined. If something is not done now to clearly state the moral rights of artists, current and future technologies will alter, mutilate, and destroy for future generations the subtle human truths and highest human feeling that talented individuals within our society have created.
A copyright is held in trust by its owner until it ultimately reverts to public domain. American works of art belong to the American public; they are part of our cultural history.
People who alter or destroy works of art and our cultural heritage for profit or as an exercise of power are barbarians, and if the laws of the United States continue to condone this behavior, history will surely classify us as a barbaric society. The preservation of our cultural heritage may not seem to be as politically sensitive an issue as "when life begins" or "when it should be appropriately terminated," but it is important because it goes to the heart of what sets mankind apart. Creative expression is at the core of our humanness. Art is a distinctly human endeavor. We must have respect for it if we are to have any respect for the human race.
These current defacements are just the beginning. Today, engineers with their computers can add color to black-and-white movies, change the soundtrack, speed up the pace, and add or subtract material to the philosophical tastes of the copyright holder. Tommorrow, more advanced technology will be able to replace actors with "fresher faces," or alter dialogue and change the movement of the actor's lips to match. It will soon be possible to create a new "original" negative with whatever changes or alterations the copyright holder of the moment desires. The copyright holders, so far, have not been completely diligent in preserving the original negatives of films they control. In order to reconstruct old negatives, many archivists have had to go to Eastern bloc countries where American films have been better preserved.
In the future it will become even easier for old negatives to become lost and be "replaced" by new altered negatives. This would be a great loss to our society. Our cultural history must not be allowed to be rewritten.
There is nothing to stop American films, records, books, and paintings from being sold to a foreign entity or egotistical gangsters and having them change our cultural heritage to suit their personal taste.
Tobor said:George Lucas speaking in front of Congress in 1988:
Read your own words, George. FFS.
What he's doing is basically asserting his rights as the artist to determine how his work is seen. From a certain point of view.American law does not protect our painters, sculptors, recording artists, authors, or filmmakers from having their lifework distorted, and their reputation ruined. If something is not done now to clearly state the moral rights of artists
I knew I had heard it before from a reliable-sounding source, and just found it again.NekoFever said:That's been a persistent rumour but the original must have been cleaned up in order to give them a quality print to use when making the SEs. And we know that there are collectors out there with original prints, like that gorgeous Technicolor one of ANH that was posted earlier in the thread.JB1981 said:Isn't he literally destroying the original ?
So according to this, Lucas was physically destroying individual frames from the original negative during the creation of the first Special Editions.These new negatives were then cut into the O-neg, replacing the originals (which, I must presume, were put in storage). One caveat of this is that each time the negative has a new portion of film cut into it, a frame on either side of it is lost in the process of cementing the new film piece into the reel; if one compares closely the SE to the previous releases, one finds that any new shot is missing a few frames at the head and tail, though the difference is imperceptible when in motion.
Well, it can't ever be posted enough. That speech should be printed on stickers and stuck to the front of every bluray. Lucas should have to wear it on a t-shirt whenever he appears in public.alr1ghtstart said:been posted a month ago and probably 5 times in the last 2 days.
NekoFever said:I'm sure they've had good digital masters since at least the time of the SEs, bearing in mind that only five years later they were making the movies entirely digitally. And, like I said, collectors have original theatrical prints that are in excellent condition and will contain the missing frames.
According to that article, a digital master was considered too expensive at the time (even though Fox was paying Lucas to do this), so they only scanned the scenes they intended to photoshop, and those were scanned in "mere" HD resolution. The photoshopped prints were then printed out to film and physically glued into the original negative (destroying frames).NekoFever said:I'm sure they've had good digital masters since at least the time of the SEs, bearing in mind that only five years later they were making the movies entirely digitally. And, like I said, collectors have original theatrical prints that are in excellent condition and will contain the missing frames.
Anyone concerned with the preservation of culturally and historically important films should give a shit.richiek said:Kevin Smith weighs in on the NOOOOO controversy:
http://www.tmz.com/videos?autoplay=true&mediaKey=225c1504-7a70-4b64-bc6f-489e66f662e4
Go to the about the 17 minute mark
Smith basically says "As a guy who saw ROTJ when it first came out in the theater, who gives a shit? And the interviewers agree with him.
Kevin Smith is a known George Lucas cocksucker, he even liked the prequels, so take that as you willrichiek said:Kevin Smith weighs in on the NOOOOO controversy:
http://www.tmz.com/videos?autoplay=true&mediaKey=225c1504-7a70-4b64-bc6f-489e66f662e4
Go to the about the 17 minute mark
Smith basically says "As a guy who saw ROTJ when it first came out in the theater, who gives a shit? And the interviewers agree with him.
Tobor said:Anyone concerned with the preservation of culturally and historically important films should give a shit.
Tobor said:Anyone concerned with the preservation of culturally and historically important films should give a shit.
richiek said:Kevin Smith weighs in on the NOOOOO controversy:
http://www.tmz.com/videos?autoplay=true&mediaKey=225c1504-7a70-4b64-bc6f-489e66f662e4
Go to the about the 17 minute mark
Smith basically says "As a guy who saw ROTJ when it first came out in the theater, who gives a shit? And the interviewers agree with him.
richiek said:Kevin Smith weighs in on the NOOOOO controversy:
http://www.tmz.com/videos?autoplay=true&mediaKey=225c1504-7a70-4b64-bc6f-489e66f662e4
Go to the about the 17 minute mark
Smith basically says "As a guy who saw ROTJ when it first came out in the theater, who gives a shit? And the interviewers agree with him.
Takao said:
Quick said:
http://www.youtube.com/watch?v=27RVJJfny4Iitxaka said:waitwaitwaitwaitwait, what "nooooo" controversy? What has lucus done to it? I NEED INFO NOW!
Aigis said:
Yes, yes he is.DrForester said:OK, Lucas is just trolling the fans at this point.