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Your move Nomura.
Oh god the closing quote
Too bad he went out on a stinker.
Hope he gets his groove back with his next project.
Going indie is like asking Ferrari to make utilitaries. Is not in their DNA, not in the products they want to make.
The New Yorker said:Tak Fujii, a former senior producer at Konami, who left the company in 2014 because of ill health, sees no issue with this kind of radical reorganization. I saw many colleagues unwillingly reassigned, he said. Most of them blamed everyone but themselves. But they were not willing to adapt. They were waiting for the golden days to return. All they had left were legendary stories of their products, which are no longer relevant for either the technology or the market.
Tak Fujii really went all-in in The New Yorker piece.
lol @ people saying Sony should get him.
With wich money? Let him go indie and ask for him on a project-to-project basis.
I do think Square Enix is generally a better choice.
They're willing to run up comically large budgets (which seems like a much larger concern at Sony), will interface well with Japanese developers that want a fair amount of autonomy, actually develop several AAA titles in Japan, and like to have a longstanding presence in as many genres as possible.
Their strong Western branch and overseas success of Japanese titles also makes them very comfortable launching more globally minded products or having split divisions across multiple countries like KojiPro had.
I can actually see him making smaller projects. PT is actually a great example. He's said he has tons of ideas. It'll be great to see him do something different.
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Your move Gaben.
If Shinkawa will stay at the Konami it will be such waste of talent, He's easily one of the best artists in the industry.
Your move Don
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Oh god the closing quote
I thought the gameplay was sublime.
Tak Fujii really went all-in in The New Yorker piece.
What's so hard to believe about Sony snatching him up and integrating him with Japan Studios?
The same money they use to fund their other games?
Get a load of this guy.Its likely that, after Kojimas non-compete clause expires, in December, he will find a new studio and continue making lavishly produced games. But these future projects will be anomalies in a mobile-dominated Japanese market. Although Western fans may mourn the loss, McCarthy doesnt share their despondency. Honestly, I am not so sure that any threat to yet another shouting, shooting game full of American grunts saving democracy from the wiles of dark-skinned terrorists is any great loss to the art, he said.
I do think Square Enix is generally a better choice.
They're willing to run up comically large budgets (which seems like a much larger concern at Sony), will interface well with Japanese developers that want a fair amount of autonomy, actually develop several AAA titles in Japan, and like to have a longstanding presence in as many genres as possible.
Their strong Western branch and overseas success of Japanese titles also makes them very comfortable launching more globally minded products or having split divisions across multiple countries like KojiPro had.
I do think Square Enix is generally a better choice.
They're willing to run up comically large budgets (which seems like a much larger concern at Sony), will interface well with Japanese developers that want a fair amount of autonomy, actually develop several AAA titles in Japan, and like to have a longstanding presence in as many genres as possible.
Their strong Western branch and overseas success of Japanese titles also makes them very comfortable launching more globally minded products or having split divisions across multiple countries like KojiPro had.
Nevertheless, the effect of the closure of Kojima Productions on other game makers has been significant. Its a rare case of a highly successful studio being closed down, so obviously everyone is in a state of shock about it, I think, Hajime Tabata, the director of Final Fantasy XV, a console game that, like Metal Gear Solid, has been in development for years, at vast cost, told me. But we believe that we can survive. At least, until the company decides to close us down.
That's a fairly short non-compete clause.
Unlike the the contemptible pieces of shit at Ubisoft that made Desilets lose a year of his life. Twice.
Its likely that, after Kojimas non-compete clause expires, in December, he will find a new studio and continue making lavishly produced games. But these future projects will be anomalies in a mobile-dominated Japanese market. Although Western fans may mourn the loss, McCarthy doesnt share their despondency. Honestly, I am not so sure that any threat to yet another shouting, shooting game full of American grunts saving democracy from the wiles of dark-skinned terrorists is any great loss to the art, he said.
And yet P.T had attached a hollywood actor and director to the project, not exactly "small".
Kojima at Square Enix might actually work. Bring Shinkawa and as many members of his old team as possible.
Well, Hajime Tabata doesn't come off as all that optimistic in the New Yorker piece:
Pretty much what was speculated months ago, but now it is confirmed. Guess it's better to let Kojima go than to put him to work on Pachislot games. Time to Kickstart Space Police Snatchers: Espionage, Kojima.
Isn't Fukushima already in Sony Japan Studio? Let's go with the reunion
Exactly. MS is way more likely if he goes that route instead of opening his own studio. The GAF meltdowns would be amazing.
Guys.
Why Not From Software or SEGA.
OMG imagine Kojima and the Yakuza guys working together.
Well, delayed, over budget games are their speciality. It's a perfect fit.
Yes that quote was amazing, but unlike Tabata, Kojima shipped his game!
?!?!