Ignatz Mouse
Banned
I find it strange that people rank Goodfellas higher than Casino.
I don't care for Casino much at all. Feels like a weak retread of Goodfellas.
Goodfellas is also maybe my favorite movie, period.
I find it strange that people rank Goodfellas higher than Casino.
These "not even close" posts are annoying. We're talking about two of the most well known and highly regarded directors of all time. It's going to be pretty close.
Doesnt filmography include director as well as producer? The list in OP is missing so much in that case.
For Spielberg there's plenty of other movies like Back To The Future, Gremlins, Goonies, The Money Pit, Who Framed Roger Rabbit, Arachnophobia, Twister, Casper...
I've personally enjoyed Spielbergs movies much more than Scorseses. Not that I'm saying he's bad or anything. I love some of his as well. If I could have a dream movie made it would probably be The Devil In The White City starring Leonardo Dicaprio. And it's happening!
As a director. I don't give a flying fig what Spielberg and Scorsese produce, even if the former is a producer for the Transformer films.
Ok. I still like Spielberg movies more, but I'd never say one is better than the other. I love a lot of both their work.
Only Nolan can surpass him if he keeps making movies like Interstellar for the next 15 years.
Spielberg has made the best movie ever: Raiders of the Lost Ark. He is probably the best director ever. Only Nolan can surpass him if he keeps making movies like Interstellar for the next 15 years.
Spielberg's cinematographer for the last decade has been terrible so I'l say Martin.
And all of Spielberg's movies are about noble bravery, man messing with the superhuman and daddy issues. Spielberg may cover more ground in terms of genre but his thematic obsessions are as narrow as anyone. (Which isn't a bad thing.) (Also gangsters and cities aren't themes. "Damaged men" is a preoccupation of Scorsese's, sure.)Scorsese's best movies are all basically retreads of the same basic themes: Gangsters, gritty cities, and/or damaged men. He's much like Tarantino in this way. Both are masterful film makers who have an impressive catalog of hits, but neither have strayed too far from their comfort zone (or in Scorsese's case, have not done so with much success).
Spielberg's best comes from a wide range of genres. From action to horror to WWII drama to kid movies--so much of what he's done have become classics in the medium and are looked at by fans, critics, and Hollywood elite as some of the best wide-audience films available.
Scorsese is a master. Spielberg is a god.
Nolan making movies like Interstellar for 15 years would be like Spielberg making movies like Hook for 15 years.
Thats fine by me, because Hook is an underrated masterpiece for me. Even if it has a bad rottentomatoes score, but that is a movie that everyone loves now. It has that magical Spielberg + Williams (Robin and John) feelings. I will defend Hook everytime.
Scorsese's best movies are all basically retreads of the same basic themes: Gangsters, gritty cities, and/or damaged men. He's much like Tarantino in this way. Both are masterful film makers who have an impressive catalog of hits, but neither have strayed too far from their comfort zone (or in Scorsese's case, have not done so with much success).
Spielberg's best comes from a wide range of genres. From action to horror to WWII drama to kid movies--so much of what he's done have become classics in the medium and are looked at by fans, critics, and Hollywood elite as some of the best wide-audience films available.
Scorsese is a master. Spielberg is a god.
Scorsese. No doubt.
Nolan making movies like Interstellar for 15 years would be like Spielberg making movies like Hook for 15 years.
I will say though, Spielberg's interpretation of 'gritty' in the form of Munich is better than a schmaltzy Scorsese (Hugo)
Did Scorsese make Jaws?
No, then there's your answer.
I love them both, but Spielberg made Hook, so therefore: Scorsese wins.
Fucking NAILED it. Even Spielberg classics like Schindler and SVP I feel a touch of unwelcome manipulation from the direction and editing. Scorsese, like Kubrick is more cynical and cold in the way he allows an emotionally heavy scene to unfold.I wouldn't necessarily say the characters themselves affect me that much either. For me, it's the relationship between the characters and what occurs in the films. Travis Bickle is a product of his environment, so you need to focus on his surroundings to gain anything substantial from Taxi Driver.
For me, a lot of Spielberg's films utilize what feels to me like manufactured sentimentality. I don't connect with the characters or the event in the film, instead, I get musical swells in emotional moments that tell me I'm supposed to be feeling something. It reminds me of a laugh track in a sitcom getting me to laugh. I still really like Spielberg's stuff, but for whatever reason, a lot of his films don't feel genuine to me. Scorsese, on the other hand, gets me all the time, even when dealing with criminals and sociopaths.
I will be honest though, part of what makes Raging Bull so great to me has to do with the history of the film's production and Scorsese's personal relationship with the film. If the film didn't "save his life", I probably wouldn't have adored it as much.
Ridley Scott lacks consistency but his eye for how to film a scene is better than Spielberg and Scorsese. His films have that painters quality about them.I'd like to see Spielberg try a gangster film and Scorsese do a science fiction film for no other reason than perverse curiosity.
Not saying he is as good, but Ridley Scott has a pretty varied filmography.
Ridley Scott is a visual master, but nobody has a better sense of mise en scene than Spielberg. Definitely not Scott. Spielberg's ability to communicate information through his visual navigation of tenspace is second to nobody.Ridley Scott lacks consistency but his eye for how to film a scene is better than Spielberg and Scorsese. His films have that painters quality about them.
I find it strange that people rank Goodfellas higher than Casino.
New York, New York.I intensely disliked War Horse and Lincoln both of which had a ton of potential but we're dragged down by Spielberg's sentimental direction. You don't get that from Scorsese. Nor does he do boring films. I've seen nearly all of his movies and Kundun is the only one I found an insufferable bore.
The rest of his filmography is made up classics and flawed but thoroughly entertaining movies.
Spielberg had made at least a half dozen movies I found just plain BORING.